Embroidered Anatomica Stuffed Faux Bears

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My work walks the line between taxidermy, toy and sculpture.

Each animal is meticulously fabricated to create an unnervingly accurate but slightly off version of the natural animal. Evolution has always held a particular fascination for me, informing how I create and group the animals in my work.

As I’ve read and dug through museum collections to research my pieces, western science’s mania for labeling, codifying and collecting has stood out. Most of this categorizing bears little resemblance to how animals and plants exist out in the natural world and I find this disconnect fascinating.

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Artist Deborah Simon.

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About

I design video games for a living, write fiction, political theory and poetry for personal amusement, and train regularly in Western European 16th century swordwork. On frequent occasion I have been known to hunt for and explore abandoned graveyards, train tunnels and other interesting places wherever I may find them, but there is absolutely no truth to the rumor that I am preparing to set off a zombie apocalypse. Nothing that will stand up in court, at least. I use paranthesis with distressing frequency, have a deep passion for history, anthropology and sociological theory, and really, really, really hate mayonnaise. But I wash my hands after the writing. Promise.

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