Polyphonic Overtone Singing

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Overtone singing is a type of singing in which the singer manipulates the resonances (or formants) created as air travels from the lungs, past the vocal folds, and out of the lips to produce a melody.

This resonant tuning allows the singer to create apparently more than one pitch at the same time while in effect still generating a single fundamental frequency with his/her vocal folds.

It is believed the art of overtone singing has originated from south western Mongolia in today’s Khovd and Govi-Altai region.

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Truly eerie to hear what the human voice is capable of producing.

Video via Ann-Marie Hefele.
Photo via Friday Night Linguistics.
Quoted text and photo via Wikipedia.

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I design video games for a living, write fiction, political theory and poetry for personal amusement, and train regularly in Western European 16th century swordwork. On frequent occasion I have been known to hunt for and explore abandoned graveyards, train tunnels and other interesting places wherever I may find them, but there is absolutely no truth to the rumor that I am preparing to set off a zombie apocalypse. Nothing that will stand up in court, at least. I use paranthesis with distressing frequency, have a deep passion for history, anthropology and sociological theory, and really, really, really hate mayonnaise. But I wash my hands after the writing. Promise.

One thought on “Polyphonic Overtone Singing

  1. a gray on said:

    Very interesting.

    Reply

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