The Death Sculpture of Rome

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At Santa Maria dell’Orazione e Mort a skeleton delivers a message to the living on the street from the dead inside the crypt:

“Hodie mihi. Cras tibi.” (Today me. Tomorrow you.)

It shrugs. The skeletons are eager to remind you that the bones holding you up will be all that’s left some day.

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At Gesù e Maria, one appears frozen in the middle of a solo danse macabre, flailing so wildly it seems to be coming apart.

It’s this kinetic quality that’s so arresting; life bursts supernaturally from these dark corners devoted to death.

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I am torn whether to classify this as necromancy or Talmudic golem creation.

Decisions, decisions.

Via Slate for the full article and a lot more imagery.

This entry was posted in Misplaced Places, Visual Art and tagged Necromancy by . Bookmark the permalink.

About

I design video games for a living, write fiction, political theory and poetry for personal amusement, and train regularly in Western European 16th century swordwork. On frequent occasion I have been known to hunt for and explore abandoned graveyards, train tunnels and other interesting places wherever I may find them, but there is absolutely no truth to the rumor that I am preparing to set off a zombie apocalypse. Nothing that will stand up in court, at least. I use paranthesis with distressing frequency, have a deep passion for history, anthropology and sociological theory, and really, really, really hate mayonnaise. But I wash my hands after the writing. Promise.

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