It was in the Edo period however, that Japanese decorative tattooing began to develop into the advanced art form it is known as today.
The impetus for the development of the art were the development of the art of woodblock printing and the release of the popular Chinese novel Suikoden, a tale of rebel courage and manly bravery illustrated with lavish woodblock prints showing men in heroic scenes, their bodies decorated with dragons and other mythical beasts, flowers, ferocious tigers and religious images.
The novel was an immediate success, and demand for the type of tattoos seen in its illustrations was simultaneous.
There is academic debate over who wore these elaborate tattoos. Some scholars say that it was the lower classes who wore—and flaunted—such tattoos. Others claim that wealthy merchants, barred by law from flaunting their wealth, wore expensive irezumi under their clothes.
It is known for certain that irezumi became associated with firemen, dashing figures of bravery and roguish sex-appeal who wore them as a form of spiritual protection.
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